Because the Planck Charge is slightly larger than those charges measured within the strings of string theory, we will begin testing two concepts: (1) strings-before-quarks and (2) strings within the quark-gluon plasma. As we move forward, our earlier analysis of six groups of key numbers across the spread of the 202 notations will be updated. It is already a sublime challenge to consider how those smaller charges could be carried through the transition from the infinite to the finite.
The 67th notation appears to be a natural limit of measurements of a length. Between Notation 86 and 87 appears to be the current limit of a measurement of a unit of time (remember the first second of the universe is between Notation 143 and 144). If the strings of string theory are taken to be the radii and/or diameters of circles generated within the first ten notations, an entirely new chapter is opened for the very nature of a string.
Beyond a current physical measurement defines the hypostatic. Effects that are measurable but are little understood will be among the first to be addressed by this model and theory. Among them will be quantum fluctuations, dark energy and dark matter, and then the primary frequencies by which the universe is thought to be attenuated: 1:2, 1:3, 1:4, 1:5, 1:6, 1:7, 1:8, and 1:9. A working assumption is that experimental designs can be shaped through known standing wave patterns to test new hypotheses.
• Hypostatic Way of Learning & Knowing, this homepage on 19 April 2017, builds upon a key article about number. If this hypostatic construct is credible, studies like automorphics, Langlands program, scalar field theory, loop quantum cosmology (LQC) might begin to adopt the first ten notations currently assumed to be mostly circles and spheres. Weaire-Phelan structure may apply. Each doubling has a measurement of time, length, charge and mass; all are relevant; however, the scaling vertices give us pause to wonder. By the Notation 10 there are 134,217,728 pointfree vertices. With so many vertices, potential is unleashed. An abundance of simple geometries can be imputed to begin the construction of the universe.
• Every Notation, a Subject of Analysis: Six notations were subject to an early analysis just to check the logic of base-2 and its natural inflation. That analysis is still in its earliest, most naive, stages of development. The goal at this time is simply to justify looking more deeply at the overall concepts and the model as given. Nothing is sacrosanct. Every concept is to be scrutinized.
Popular culture often captures an essence, sometimes something truly universal, a deep and abiding truth, then science and mathematics come along behind and discovers, “Yes, that’s right” or “That’s a possibility.” In 1969 Margaret & Berry Gordy of MoTown Records fame, wrote the simple lyrics (and Diana Ross recorded it), “everything is everything.” In 1998 Lauren Hill wrote a song using the same title. And, in this same period of time, some within the scientific community began to envision how everything was related to everything, and then even how everything is everything.
Our sense of time begins around Notation 137 and our sense of length begins with visible light within Notation 95 and Periodic Table down as small as Notation 80. To have a sense of anything there must be a conscious entity, an observer who senses. So along with everybody else, this site will look to insert your consciousness (as well as your sleep) along the grid. Currently it is charted between Notations 51 and 60 as The Mind. Some have asked, “Why haven’t we seen this model until now?“
Primarily mathematical and geometrical, we focus on transfinite numbers, the geometries of circles and spheres, and the nature of a matrix, a group and a set.
Our next article will begin an analysis of Notation #1 in light of the struggles throughout the entire history of string theory as it applied to ontology (the small-scale universe), epistemology (the human-scale universe), and cosmology (the large-scale universe).
Within this four-article series, the first is about Continuity, followed by Symmetry, then Harmony and then this article about hypostatic structures.